String Ting is a London-based accessories brand that turned a £70 lockdown experiment into a globally distributed business. Six years in, we sell phone straps, bag charms and collectible pieces to customers across the UK, US, Japan, Hong Kong, Singapore, South Korea and Taiwan. Our pieces sit on the wrists of Kendall Jenner, Bella Hadid and Dua Lipa, and on the shelves of independent retailers and concept stores worldwide.
We are female-founded, profitable, bootstrapped and have taken zero outside investment. In 2026 we’re targeting doubling revenue in 2026, scaling our wholesale business, opening new international markets and broadening the range. The studio is in Camberwell. We’re 15 people. Everything is built in-house — the products, the systems, the brand.
This isn’t a typical 15-person DTC brand. It’s a serious commercial concern with the discipline of a much larger business and the optionality of a much smaller one. The next 18 months are about scaling without losing what makes the brand work.
About the founders
Rachel Steed-Middleton (Co-Founder & Creative Director) — strategist by training, creative by instinct. Before String Ting, Rachel held senior roles at some of the most respected agencies in the world: Anomaly, Winkreative (Tyler Brûlé’s agency), Mullen Lowe Profero and Leo Burnett, latterly as Executive Director at a London branding agency. She founded String Ting in 2020 and has built it from scratch into a globally recognised brand with cult collaborations and a serious commercial engine underneath.
Leigh Steed-Middleton (Co-Founder, Commercial) — operator and product leader. Leigh was most recently President at SEDNA, a B2B SaaS scaleup, and was previously its Chief Product Officer. Before SEDNA he was Managing Director of Signal Noise, part of The Economist Group, and has spent ~15 years building products, businesses and teams across consumer, media and enterprise software. Inside String Ting, Leigh leads commercial, systems and the data infrastructure that powers decisions across the business.
Between us, we’ve spent our careers learning what excellent looks like in very different industries. The reason this role exists is that we want to bring more of that operating discipline into how the business runs day-to-day.
The role
We’re hiring an Operating Lead to be the operational backbone of the studio and Rachel’s right hand inside the business.
This role sits between strategy and execution. The honest split of the work:
Both halves matter. The strategic half is where leverage compounds. The admin half is where the business actually runs. The people who thrive here see them as the same job — the admin half is the raw material from which the strategic half is built. If you’re allergic to operating detail, this isn’t your role.
The shape of the role
Rachel’s right hand
Commercial operations and studio work
Reporting, analysis and systems
Cross-functional execution
Who you are
The strongest candidates we’ve seen for roles like this come from a few patterns:
What unites the people who do this job well:
Bonus: experience in DTC, e-commerce, accessories, fashion or premium consumer brands; SQL or BigQuery literacy; familiarity with Shopify, Klaviyo or similar.
What you’ll get from this role
This is set up as the operating job that compounds. The reps you’ll get in 18–24 months here are the reps that take most operators five years to find elsewhere:
We hire rarely and never out of urgency. We’re looking for someone who’ll stay long enough to compound — and we’ll back them when they’re ready for what’s next.
If you’ve read this far and the role feels like you, we’d love to hear from you. If the admin half made you flinch, this isn’t the role for you.
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